Influenced by the mockery and anti-art of the 1960s Fluxus Art Movement, I adopted a playful, yet thought-provoking approach to answer the questions how can fashion be anti-fashion? How can I undo fashion? How can I destroy fashion and put it back together? How can I value the process and fun of fashion rather than its aesthetic outcome? By departing from aesthetics and visual appearance, I focused on the skirt’s function and how it can involve the viewer. I became interested in the notion of destruction and rebellion of the skirt, and with fashion at large. The outcome is a skirt that is meant to be teared apart, displayed in a video that highlights the destruction, rather than the outcome of the skirt’s body.